Artists in Residence

AOTM Artists in Residence Program: AiR VII

AOTM Artists in Residence (AiR) invites a select group of non-roster artists to join the AOTM ecosystem for 3-month terms. This is the third year of the initiative.

The resident artists of AiR VII – the first cohort of 2026 – are: desultor, Ivona Tau, and Mariah.

Structured in regular career and curatorial development sessions with the AOTM community, each term culminates in a digital exhibition sale via AOTM featuring new artworks created by the residents. Artworks created by the residents will also be entered into the AOTM Collection in exchange.

AiR allows AOTM to continue on its mission to push digital art forward by taking on a more active role in the cultivation and development of different creative voices, building community, expanding the definition of a gallery in the digital art sphere, and beyond.

The concept behind AiR relates back to AOTM’s namesake, Peggy Guggenheim’s groundbreaking Art of This Century, a hybrid art gallery, art collection, museum, and meeting place for New York’s avant-garde during the 1940s.

The artists, artworks, and ideas gathered at Art of This Century would have an indelible impact on the modern and contemporary art world and culture at large. 

Through its AiR initiative, AOTM honors this legacy of impactful community building, patronage, and creative exchange.

desultor

desultor is a florida-made digital & physical artist cooking artifacts from the wreckage of internet culture, reflections of doomsday, and spiritual residue of the modern era. his work moves between acrylic painting, analog video capture, pixel art, physical collectibles, and on-chain objects.

desultor’s superrare collection “drive-thru daydreams” brings that approach into a sticky focus in the form of 21 impasto-rich acrylic paintings, where each token acts as the digital twin to a claimable 12×12” physical work, sealed with nfc tap-enabled wax seals linking object to record. it is sweet, savory, a little sad, a little funny, and probably bad for you in the way most worthwhile things are.

Ivona Tau

Ivona Tau, PhD, is a new media artist from Vilnius, Lithuania, who works with neural networks and code in experimental photography and moving image. She creates universally relatable memories by transforming her experiences captured on analog and digital film through tools like generative neural networks (GAN) or other custom AI models. Central to her practice is working exclusively with her own photographic data or open-source datasets, allowing her to craft bespoke AI models tailored to her vision, rather than relying on commercial third-party tools.

Tau comes from the intersection of arts and technology, with 15 years of combined experience in professional photography and A.I. research. She was awarded the best award in the Digital Ars 2020 contest for art created with AI, the Computer Animation category award in Computer Space International Computer Art Forum 2021, and elected as one of the TOP 10 Women in AI 2022 by the Women in Tech Foundation, nominated for ABS Art Prize, Digital Art Awards and Lumen Prize in 2025.

Tau’s work has been exhibited widely, including Art Basel Miami Beach, UNTITLED Art Fair, SCOPE, CAFA, Art Week Shenzhen, Vellum, Bitforms New York, Venus Over Manhattan, Ars Electronica Garden, The House of Fine Art, Bright Moments Berlin, Christie’s New York, and Sotheby’s New York.

Her work has been acquired by ZMK Museum of Contemporary Art in Germany & Francisco Carolinum Linz in Austria.

Ivona Tau is active in the research community and holds a PhD in Artificial Intelligence from the Polish-Japanese Academy of Information Technology. She published multiple scientific papers in the field of Computer Vision and Artificial Neural Networks.

Mariah

My practice utilizes satire as a surgical tool to dissect the mechanics of power—examining how it is established, exercised, and the specific ways it leaves lasting traces across generations. By favoring a satirical perspective over direct indictment, I create images that offer a more piercing interrogation of the structures governing our visibility and behavior.


Deeply informed by the unresolved context of war and violence, my work explores the reality of making art in the shadow of transgenerational trauma. By blending theoretical frameworks of surveillance with an intuitive approach to mark-making, I aim to expose the hidden narratives of power and the quiet ways trauma manifests in daily life.

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