aditya is a digitally native artist based in Chennai, India who uses digital tools to create hand-drawn and hand-painted animated short stories. Born from a keen interest in cinema and video games, their work employs visual elements such as dynamic camera movements, shifting perspectives, and angles specifically focused on human protagonists. A distinct aspect of their style includes painterly glitches, which add depth and texture to their animations. Focused on themes drawn from pop culture, contemporary life, and personal identity, their work offers a layered reflection on the human experience through a cinematic, wholly digital lens. 

aditya’s work has been exhibited at the Santa Monica Art Museum (Frieze LA), the Orlando Museum of Art, and various pop-up NFT exhibitions.

Sabato Visconti is a Brazilian-born multimedia artist based in Northampton, Massachusetts. Their work interrogates contemporary and historical digital imaging practices by engaging with the underlying materialities of media production and online distribution. From pixels to glitches, video game errors to AI hallucinations, these visual liminalities serve as foundations for world-building and storytelling. As part of a Brazilian Diaspora, Sabato draws on cultural histories, natural ecologies, and politics to portray subjects and their environments, often entangled in systems designed to fail or malfunction.

Sabato’s works have been exhibited worldwide, notably at the Museum of the Moving Image, ICA Boston, and Tate Britain; they have also been published in Time Magazine, Vogue, and the Wall Street Journal.

YUDHO (b.1990) is a multidisciplinary artist from Indonesia who is currently focused on digital art. From a young age, he has been captivated by the world of art, with a passion for expressing his emotions and thoughts through painting.

He began his professional journey in art college, where he refined his skills in painting. While digital art is now the form he is most focused on, YUDHO’s love for the medium also extends to physical works as well.

When creating, the artist draws inspiration from a wide range of sources, including daily life experiences, family, love, music, news, and most recently the Web3 world.

This diverse range of inspirations continues to shape and evolve his artistic style and directly contributes to the depth of complexity often found in YUDHO’s works.

His current style involves a playful take on pixel art, which he terms “dirty pixels,” deviating from how raw it is and from the norm by creating large-scale pixel art that challenges conventional rules. This unconventional approach involves merging and moving pixels randomly, forming a pointillistic noise that creates depth and texture. In exploring this pixelated chaos art style, YUDHO’s art mirrors the digital noise we encounter daily—the influx of information on social media.

Pixel art, in his view, serves as a bridge between technology and humanity.
We interact with pixels every day, it is part of our life – we make contact with pixels through phone screens, TVs, and now even on our watches and eyeglasses. It stands as a perfect medium to narrate the story of human connection with technology, portraying the relationship between creator and creation. In this interaction, we continuously shape and reshape each other.

Throughout his career, the artist has garnered impressive recognition, from his work being acquired by well-known collectors to having pieces exhibited at various physical NFT events around the world.

As a full-time artist, creating is not only a passion or a hobby for YUDHO but rather a way of life. He finds joy in every aspect of the creative process, from making art to connecting with others through his work.

“I draw the story of technology and humanity through pixel art.”